Youth Quake

I got to perform my play about Quaker abolitionist John Woolman at Youth Quake at Lake Junaluska, NC, early in 1998. I'm posting it in the year it happened with reflections 20 years later. It was at that performance that Dale Savidge decided he'd represent me, so it's cool to realize he's been representing me for two decades!

The performance was mentioned in the Friends Journal...

Rich Swingle's one-person play, A Clear Leading (later titled I Dreamed I Was Free), on the life of John Woolman, was inspirational; we saw the struggles, the mistakes, and the slow but deep clarity that formed Woolman's famous leading. 
--Claudia Wair
Friends Journal
April 1998



I Dreamed I Was Free tells the story of Quaker abolitionist John Woolman, who spoke against slavery a century before our Civil War.

Our engagement

I'd performed my 1-man play on abolitionist John Woolman (www.RichDrama.com/AClearLeading) in his hometown that afternoon, and we got a late start to get back to the city for the very last boat ride of the season. Ryan Myers had picked up the ring for me after it was sized. When we got to The Lamb's on Times Square I sprinted to his room on the 6th floor. He wasn't there. Sprinted to the lobby: "Where's Ryan?!" "Fifth floor." Sprinted to the 5th floor, got Ryan, sprinted to the 6th floor, got the ring, sprinted to the lobby, hopped in the car, where Joyce was sitting and risking getting towed. Drove her home, took a left. Joyce asked why we weren't taking a right to get to her place. "Want to go for a walk?" She was keen enough to know something was going on and acquiesced. We took a very hurried stroll through Central Park at night. When we arrived at The Boat House I asked if there were any gondolas left for the evening, then whispered to the hostess that I had a reservation. By that point we had about 10 minutes left before the next reservation started. Almost as soon as we pushed off I pulled out the ring (which she'd felt in my pocket when we sat down next to each other), got down on a knee and asked her, "Will you follow me wherever the Lord leads us?" There was more to it than that, but that's as much as either of us can remember. Then I pulled out the dozen roses Cindy Dupree and Mac Nelson had hidden under a blanket to start the romantic (yet still chaste) part of our friendship. The next day I showed up with another dozen to symbolize all of the romance I was holding back until we were both certain the Lord was calling us into a life-long covenant.

Off West Broadway

Off West Broadway Theatre Company was instrumental in me getting started as an actor. While I was living at The Lamb's Church they began to produce plays in the smaller of their two Off-Broadway theatres. I showed up to help with construction and painting and anything that needed to be done. Before I knew it, David Wesner, their playwright-in-residence, wrote a play about a grad student who was accidentally locked in a mental institution, and I, as a grad student, got to play the lead!




I Dreamed I Was Free tells the story of Quaker abolitionist John Woolman, who spoke against slavery a century before our Civil War.

Mac's Birthday Party

I put together tours across America the summers of 1994 and 1995, so I'm pretty sure I got the date right on this. We're in Bryant Park, Midtown Manhattan for Mac Nelson's birthday party. He was best man at our wedding. 

I've always been known for my appetite. I believe this shot is from the same birthday party, based on Mac's shirt and the Bryant Park location. 

Hot Coffee

While I was an intern at The Lamb's Church of the Nazarene on Times Square from 1993 to 1998 I performed in a number of productions in both the main Off-Broadway stage and the smaller black box theatre. That space went back and forth between Off-Broadway and Off-Off-Broadway status by adding or removing one chair. If we had at least 99 seats it was Off-Broadway, but there were times it was advantageous to be an Off-Off-Broadway space, so we'd remove chairs. 

We did two workshops of Hot Coffee, a musical written by Mac Nelson, who was later Best Man at our wedding (which was in the main Off-Broadway theatre and our church's sanctuary). That's Mac on the far side of the stage in the second photo. These shots are from the second workshop in September of 1995. In this scene I'm playing Robert Earl Turnipseed, whose car was blown by a tornado (played by dancer Elvon Borst) from Mississippi to Plains, Georgia, where Rosalind Carter (Becky Rogers) found him and offered him a peanut.

Because of a conflicting booking I was unable to perform in the full production during the fall of 1999.

Here's Mac under the sign leading into Hot Coffee, Mississippi,
but Justin Hullinger has added its claims to fame.
Here's the real sign.

I quit my day job

In July of 1995 I stopped accepting any work that wasn't connected in some way to the performing arts. So I haven't had a 9-5 since 95! Praise the Lord!

Performing at The Lamb's Church

I arrived in NYC in 1993, and my friend, Dorothy G. Ubben, is posting some great photos from the four years I lived at The Lamb's Church when it was on Times Square in a building designed by Stanford White (known for his iconic structures throughout the Eastern Seaboard). I lived on the sixth floor, above two Off-Broadway theatres, including the largest with 350 seats. I served the homeless lunches, and performed in several productions in both theatres and here in "The Grill Room."

I think the other performer's last name is Peach and she lived across the street above the Un Deux Trois Restaurant in apartment 2B. I never visited her, but I always thought it was cool for an actor to live in 2B (or not 2B. That is the question). I vaguely remember that piece because of the scroll. I think it took place in the Middle Ages... or the first century? I'm guessing on the year, but I'm basing the day on the hearts the bear in the upper right is holding.

Moving to NYC

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I Come and Go at His Command

Mary Dyer being led to her hanging.
Nineteenth c. artist unknown.
When I was in seminary I had a Church History class with Dr. Richard Lovelace, a student of Yale College, Westminster Seminary and Princeton Theological Seminary. He gave us a list of Church history figures, and we were to write a paper on one of them. I asked if I could instead write a play on Mary Dyer, a Quaker martyr. He granted me permission, and it became my first feature-length play. Act One ends with her neck in the noose as she watches two of her colleagues swing. The second act culminates in her own hanging on the Boston Common on June 1, 1660. Their crime was worshipping Jesus Christ in a manner that seemed heretical to the Puritans of Massachusetts.

The play has never been produced, but a reading of it was done at my alma mater, George Fox University, in 1999 when I was named alumnus of the year.

While looking for a bio on Dr. Lovelace (which I never found), I came across a great interview on revival with him by Christian Book Distributors: An Interview with Author Richard F. Lovelace on Revival.

Many of his predictions have come to pass over the 16 years since his interview:
Here are a couple:

Right now, we are sitting here looking at I don't know how much of the planet under the veil of Islam, the Moslems, that’s where I would expect Spiritual Awakening to spread to. If you are going to say that the Gospel is preached to every nation, I would say a powerful lot of Website, internet, or radio and TV communication would have to take place in the Moslem area. Also there is China, in which one recent figure said that 28,000 Christians are being made there everyday. If you project that for a decade or so, it will mean a very powerful spread of the gospel there.

More exciting than that are some of the things he said about revival which I pray will come to pass:

Christians may currently be partially disarmed or unarmed for Christian warfare, but if they tensed up the society would feel the brunt of this.

...

Evangelicals are very strong on Scripture, tradition, and reason. Charismatics and Pentecostals have been real strong on experience, to some degree also on Scripture. They have not been at all involved deeply in tradition, and sometimes don't make enough use of reason. But what I see coming is a balance of all of this. My hope is that we will not have glossolalic and non-glossolalic communities all absolutely isolated from one another, but that we will have communities in which the nine gifts in 1 Corinthians 12 are displayed. Evangelicals could use some of these, words of knowledge, words of wisdom. I see more of a vanilla-fudge mixture coming in the future, where you can’t tell the Charismatics from the Evangelicals.

...

If you are going to see this whole society revived the way it was in the first fifty years of the 19th century (1800-1850), you are going to have to have a massive educational revival. Because if you are going to find one toxic drip that has been dripping into us, it is our school systems.

For the whole interview with Dr. Richard Lovelace, click here