Showing posts with label Virginia. Show all posts
Showing posts with label Virginia. Show all posts

Asbury Revival! Daily Updates

We're still trying to figure out when the last of the worshipers from the Asbury Outpouring left Hughes Auditorium (post a comment if you know), but we connected with two people who left at midnight after the Collegiate Day of Prayer service ended, so that seems to have been the official close. That means -- if you count the Collegiate Day of Prayer, which flowed out of the Asbury Outpouring -- February 8th's chapel at Asbury University went at least 374 hours. 

Friday the last of our contributions ran on Intercessors for America's Asbury Revival! Daily Updates. You can visit that page to see them all, but here are highlights from ours:

Friday, February 24
Rich: While driving home to New York City from Asbury University we passed through the Washington D.C. area for a family event. We prayed into the commissioning we sensed we have all been given from Asbury. On the drive down we prayed for IFA state prayer leaders as we drove through their states [see below], so we also picked up Virginia and Delaware on the drive home:


Thursday, February 23
Rich: On Thursday, Feb. 16, a speaker at Asbury University (they are intentionally not introduced to keep the focus on the Lord) read from John 15, focusing on verse 4 (ESV): Abide in me, and I in you. As the branch cannot bear fruit by itself, unless it abides in the vine, neither can you, unless you abide in me.


I have to point out that those empty seats were about to be filled! There were hundreds in the line waiting to get in. 

Also, I found out later, the anonymous speaker was Zach Meerkreebs, who preached in the service on February 8. After he was done with that one he texted his wife: "“Latest stinker. I’ll be home soon.” Three hundred and seventy four hours later the University felt they had to close that service to get back to being a university.

Tuesday, Feburary 21
Joyce: My first day, Tuesday, February 14, at the Asbury Outpouring, I spent less than a minute in Hughes Auditorium, the main venue for the worship services. Even so, the presence of the Lord was so tangible, I burst into tears.

Saturday, February 18
Rich: My favorite moment at Asbury University — and actually a favorite moment of my life — was early Tuesday morning, Valentine’s Day. I woke up and saw that it was 2:44 a.m. I remembered that Jeannine Brabon said she first experienced the Shekinah Glory fall at 3 a.m. on October 3, 1969, four months before the 185-hour revival. I wanted to be fresh for Tuesday’s Headline Prayer Live, so I asked the Lord if I should go. I just burst into tears remembering how I sensed Him say: ‘You need my permission?’


Friday, February 17
Joyce: Yesterday Rich Swingle, IFA contributing writer and prayer leader, spoke with a man who had been a classmate of Jeannine Brabon, who was instrumental in the 1970 Asbury revival. The man made an interesting comment about the differences between the two outpourings: The 1970 revival was marked by testimony, usually focused on repentance, and then with worship: this current outpouring seems to be marked by worship, followed by testimony of repentance, healing, and deliverance.

Thursday, February 16
Joyce: “Viral is not revival.” Joyce Swingle reports from on-site at Asbury University: We spoke to two professors. One mentioned that he realized he had assigned a group project for a Friday deadline and he thought it would be difficult for the students to get together to do the work. He queried his class and realized they were keeping up with the schoolwork. He also mentioned he and several of the professors were finding that the outpouring was not keeping students from their classes. Fewer were cutting than the professors expected. Seems this outpouring is not making the students indolent but industrious!

Tuesday, February 14
Rich (My original article): Chapel on February 8 at Asbury University went long…and as I write it’s still going! In 1970, a chapel service in the same Hughes Auditorium went 185 hours. Ever since I heard about it circa 1987, I’ve been praying — as many of you have — for another revival to break out! I believe revival is breaking out.

Praying Our Way to Asbury
Rich (this was a separate article): On our way to Asbury University for Tuesday’s Headline Prayer Live, we decided to pray over each state we drove through on the 11-hour drive from New York City. We also prayed for each of the state prayer leaders. It ends with us walking into Hughes Auditorium, where the revival went for 185 hours in 1970. This outpouring has been going over 150 hours as I write, and there’s a line stretching down the road to get in!



I released “Pentecost: Beyond the Imagination,” a scene from my one-man play, The Actsat www.RichDrama.com/Pentecost.

The High School Final

Joyce and I with Cindy on a recent
visit she took to NYC.
Since about 1994 I've been performing in public schools through the invitation of Cindy Sebring.

That year I drove (back when I tried to keep a car in NYC) down to the DC area for a Christians in Theatre Arts conference. I remember the rain was also driving, and my windshield wipers weren't staying up with the volume. I ended up getting there in the middle of a performance by Frank Runyon, the third one-man play I'd seen, after Curt Cloninger and Roger Nelson. A gentleman in the back of the auditorium welcomed me, and after the performance we struck up a conversation. He knew some folks at the Lamb's Church of the Nazarene where I was an intern at the time. He asked me where I was staying, and I told him I hadn't figured that out yet. I didn't tell him, but I was hoping someone would give me a place to stay so I wouldn't have to spend a significant percentage of my savings on a hotel! He invited me to stay with his family, and to join them on Sunday at their church. 

That Sunday I met Cindy. Soon I was invited to perform at a retreat that church was hosting. Cindy offered to drive me to the retreat from DC. 

Soon after the retreat started Friday evening I told the pastor who would be preaching Sunday morning that I'd be happy to write a fresh piece to go with his sermon, but he didn't know what passage he'd be using. At about 10pm Saturday night he said he'd be preaching on John:15:1-17, about the Vine and the Branches. I stayed up until about 3am writing (and rehearsing) The Legend of Billy Branch, which came with some musical interludes. I discovered the next morning that Cindy's room was next to mine and she heard me singing as I rehearsed the piece! 

I'm pretty sure it was on that trip, despite her loss of sleep, that Cindy invited me to perform and teach workshops at her public high school for the first time. In those 23 years she only invited me if her classes were well-behaved, but there weren't many years I missed. 

I just returned from my final performance for her students. She is retiring in a couple of months. It was a very special trip, because these opportunities have been priceless.

This time around I performed The Fall, my one-act piece based on the novel Les Misérables. I shared it with three classes, and after each I followed up with a sociodrama. The first one was short, so I just based it on Les Miz. I engaged them in an exercise which allowed them to express the most valuable thing to them. The winning vote was, interestingly enough, food. My one-act revolves around the bishop forgiving Jean Valjean for stealing his silver, after which the bishop gives him his silver candlesticks. In our scenario the bishop character was a homeless man. Jean Valjean stole his pizza. A police officer brought him back, but Jean Valjean said, "If he stole from a homeless man he must really need the pizza more than I do," at which point he gave him a $5. All of this came from the students. 

The other two classes had just read Fahrenheit 451, a novel about censorship. The title is the temperature at which paper burns. The main character is a fireman, meaning he sets fire to books. I told them some of the discoveries we've made visiting Cuba, ChinaRussia, and two borders of North Korea

The first of those two classes did a sociodrama based on a student who was told by his parents that if he didn't cut his hair he would not be allowed to cut his hair until after he graduated from high school in a couple of years. Afterward I drew from another story they'd read: Death of a Salesman. I pointed out that Willy Loman drew his identity in part from his son, Biff. Tim Keller uses this as an illustration in a sermon on the Breastplate of Righteousness. Then I pointed out that parents who, regardless of motives, have the right to raise their children in the ways they think best, but dictators controlling what their people are able to read and say is a very different thing. 

The last class also brought up a parental scenario, but I brought up the difference between parents and dictators right up front. The students ended up exploring a world in which it was no longer legal for us to speak to people outside of our nation. The main character was on the phone with a friend in Russia. The police knocked on her door and told her they discovered that she was on an international call. She hid her phone, but the police did a sweep of her home and discovered a computer, which the enactors decided in the moment was also illegal. She complained that she had purchased the computer when it was legal to have one. One of the officers told her she should have thrown it out the window when the law was passed. (I pointed out that this was an SAT word posted in the halls of their school: "defenestrate.") In the end the young woman was able to escape with her hidden phone. I asked them if Fahrenheit 451 felt more real after living through a similar scenario. There was an overwhelming agreement that the sociodrama had helped make it more real. 

I hope there will be other opportunities to share my plays and workshops in public schools, so if you know of a teacher who might be open send him or her to www.RichDrama.com


A Clear Leading, one of the plays I've shared at Cindy's school, tells the story of Quaker abolitionist John Woolman, who spoke against slavery a century before our Civil War.

The Screenwriters at Patrick Henry College

I had a great time at the screening of The Screenwriters at the alma mater of our director, Peter Forbes, and screenwriter, Elizabeth Stinnette. I was honored to join them and producer David Cook in a Q/A after the show, and we all had a blast at the afterparty. I had to leave early though. The screening just "happened" to have been scheduled the night before I performed and taught in a nearby school.

I play a lead in Providence, which could be heading to a city near you. Sign up at www.RichDrama.com/Updates to get the announcement.

Registration is now open for the 2016 Rocky Mountain Christian Filmmakers Camp.

For the Glory



I played the role of Coach Sean Ryan in the film For the Glory. You can order a copy at ForTheGloryTheMovie.com or on digital download on Wallmart.com.

We also had several actors from the MasterWorks Theatre Program taking part, including Danny Cornett, who played the best friend of the protagonist.


For The Glory teaser from For The Glory on Vimeo.

Here's an interview with Kurt Kuykendall, who's story is featured in the film. I play Kurt's college soccer coach, Sean Ryan. There's also a scene from the film in this clip.



People had great things to say about it after it was screened at the Gideon Film Festival...




Here's a great interview with producer, Chris Rogers. He starts talking about the film just after 6 minutes into this interview. 


More of my films are coming out soon. Be sure you're getting updates so you won't miss the announcements: RichDrama.com/Updates.

For more on the film visit ForTheGloryTheMovie.com.

Congratulations Cindy!

Cindy Sebring has been bringing me down to the DC area to perform and teach at her public school since the mid-90s.  She was just awarded a very significant prize...

News Release
For Immediate Release


Cynthia J. Sebring Named Cambridge Who's Who
Professional of the Year in Secondary School Education

Annandale, VA....May 18, 2007-Cynthia J. Sebring, MA, a teacher at Annandale High School for Fairfax County Public Schools, has been named Cambridge Who's Who Professional of the Year in secondary school education. While inclusion in Cambridge Who's Who Registry is an honor, only one member in each discipline is named the Cambridge Who's Who Professional of the Year. The Cambridge Who's Who selection committee hand picks these special Who's Who honorees based on their accomplishments, academic achievement, leadership and service. 

Sebring joined Annandale High School in August 2006 and currently teaches three levels of English. In previous years she conducted SAT preparatory courses and sponsored the film, German and Bible clubs. She has 21 years of experience in the education industry and previously taught five levels of German to high school students. Sebring turned down seven offers before joining Annandale because, as she explains, "I heard great things about the students and faculty." She has extensive consulting and editing skills and translated press releases from German to English for The Kennedy Center. Sebring is also credited with hiring Broadway actors Rich Swingle (an internationally known performer of one-man shows) and Bruce Kuhn (Les Misérables, Chess and Gospel of Luke). to perform for the English and Drama departments at the schools where she has taught. Annandale High School is committed to developing young minds in preparation for higher learning and success in future endeavors in the business world.

Sebring is pursuing her Masters degree in theology at the Notre Dame Graduate School of Christendom College. She earned a Masters degree in English from George Mason University in 1987 and a Bachelor of Arts in German and English from George Mason University in 1981. She received the Congressional Youth Leadership Council Award 1999 and 2000 and was a member of the German Textbook Adoption Committee. In 2003, she held the position of consulting-in-house reporter on behalf of the American Anglican Council at their general convention.

About Cambridge Who's Who
The mission of Cambridge Who's Who is to ensure that Cambridge members receive recognition, support and credibility to advance their careers. Cambridge Who's Who is also committed to delivering the highest quality networking resource for job recruitment, career enhancement and new business development. See who's making news and how Cambridge Who's Who is making a difference at our news blog: http://cambridgewhoswho.blogspot.com. 

Cambridge Who's Who members have exclusive access to the biographical information of more than 200,000 successful executives, professionals and entrepreneurs at http://www.cambridgewhoswho.com, where they use the database to share information, knowledge and services.  Communication via the Cambridge Who's Who Registry travels in two directions, enabling Cambridge Who's Who members to reach out when they have a business need or opportunity as well as receive information on exciting new ventures.  

Contact: 
Ellen Campbell
Director of Media Relations

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